Ila Sachani: Embroidering Dreams with her Feet — Class 6 English Poorvi Questions and Answers

Ila Sachani questions and answers: study the Class 6 Poorvi biographical sketch through its paragraph ideas, family support, vocabulary, quantity words and Kathiawar embroidery listening key.

Class: 6 Subject: English Book: Poorvi Unit: 5 – Culture and Tradition Type: Prose (Biographical sketch) Source copy: Reprint 2026–27

Source: NCERT Poorvi, Grade 6, Unit 5, printed pages 151–159; listening transcript 164; supplied reprint 2026–27. Open-ended and personal responses are examples to adapt. These explanations are study support, not an official NCERT answer key.

About the chapter

“Ila Sachani: Embroidering Dreams with her Feet” is an inspiring true story from Unit 5, ‘Culture and Tradition’. It tells of Ila Sachani, a woman born in a farmer’s family in Amreli, Gujarat, with her hands hanging loose by her sides so that she could not use them. With the loving support of her mother, grandmother and siblings, Ila learned the traditional craft of Kathiawar embroidery—using her feet. From stitching only for family, she went on to state and national exhibitions, won many awards and finally the President’s Medal. The chapter celebrates determination, family support and the power of art to rise above physical boundaries.

About the piece

This piece is a biographical sketch—a short, true life-story written to inspire young readers—included in the NCERT Class 6 English textbook Poorvi. It does not carry a named author byline; instead it draws on the real life of Ila Sachani of Moti Vavdi village, Bhavnagar, Gujarat, a celebrated artist who creates Kathiawar embroidery with her feet. The text fits the unit’s theme of ‘Culture and Tradition’ by linking a traditional Indian craft with a story of courage and self-belief. Through Ila’s journey, the piece shows how India’s rich folk arts can become a path to dignity, independence and national recognition.

Summary

Bright geometric and floral embroidery with chain-stitch textures and small stitched mirrors
Original illustrative embroidery example inspired by the lesson’s Kathiawar description. It is not a photograph of Ila Sachani’s work and is not attributed to her.

In a small room in Moti Vavdi village, Bhavnagar, Gujarat, there are bright cushions, bedcovers and pillows covered in beautiful designs. They are made by Ila Sachani, a cheerful woman who is an expert in Kathiawar embroidery—a craft that needs great skill. What makes her work truly remarkable is that she creates it all with her feet.

Ila was born into a farmer’s family in Amreli, Gujarat. From birth her hands hung loose by her sides and she could not use them like other children. While other children drew in the sand or plucked flowers, little Ila wondered why she could not join them; she too longed to hold a chalk and draw on a slate. Her mother and grandmother, both skilled in Kathiawar embroidery, were determined to help her. They patiently taught her to make beautiful patterns using her feet, and her parents helped her learn to eat and comb her hair with her legs.

Threading a needle was hard, but Ila never gave up. With help from her younger brother and sister, she became an expert at a young age and even learned styles from outside Gujarat—Kachhi, Kashmiri and Lucknawi. Soon her family and friends, amazed by her talent, spread the word, and her fame grew in the village. The government office in Surat displayed her work at a state exhibition, where people happily bought her creations. Ila then took part in national exhibitions, won many awards and received the President’s Medal. Most importantly, her skill gave her a regular income and a new independence. Her story reminds us that, with focus, hard work, opportunity and support, she developed a successful artistic practice, and that art can rise above physical boundaries to touch the soul.

Theme & message

The lesson celebrates Ila’s artistic skill, persistence, creative adaptation and supportive relationships. Her income and enjoyment give her greater independence. Encouragement, opportunities and accessible ways of working matter alongside effort. Her example is not a promise that every disability or difficulty disappears through willpower.

Word meanings

WordEnglish meaningHindi meaning
embroiderydecorating cloth with designs sewn in threadकढाई / जरी का काम
challengesdifficultiesचुनौतियाँ / कठिनाइयाँ
single-mindedfocused on one purposeएकाग्र / दृढ़संकल्प
determinationwill power; firm decisionदृढ़ संकल्प / इच्छाशक्ति
awestruckamazed and full of wonderभौचक्कित / आश्चर्यचकित
admirationrespect and approval for something goodप्रशंसा / सराहना
popularityfame; being liked by many peopleलोकप्रियता / ख्याति
exhibitiona public show of objects or artप्रदर्शनी
independencefreedom to do things on your ownस्वतंत्रता / आत्मनिर्भरता
celebratedfamous and much admiredप्रसिद्ध / विख्यात
traditionalfollowing old customs handed down over timeपारंपरिक / रिवाजी से चला आया
patternsrepeated designs or shapesनमूने / बूटे-बूटे
creationsthings that are made or producedरचनाएँ / निर्मितियाँ
encouragedgave support and confidenceप्रोत्साहित किया
honoursspecial recognition or awardsसम्मान / आदर
boundarieslimits or edgesसीमाएँ
incomemoney earned regularlyआय / कमाई

Let us do these activities before we read

I. Pranav — discussion samples

  1. His artistic and sporting skills require practice and adaptation. We should not assume the work is effortless from the finished result.
  2. I feel respect for his skill and would like to learn how he works. Personal feelings may differ.
  3. Possible qualities include patience, creativity and persistence. Support and opportunities may also help; the short introduction does not give his complete training history.
  4. The introduction reminds us to recognise people’s abilities and provide opportunities, rather than defining them only by physical differences.

II. Kathiawar embroidery — predictions

  1. Choose cloth, plan a pattern, prepare thread, make stitches and finish the design. Mirror work needs secure stitching.
  2. Ila’s story shows that she learned to use her feet for embroidery. This requires her own practised technique, not a method to impose on everyone.
  3. Patient practice, appropriate support and adapted ways of handling the materials would be important. Discuss possibilities without judging someone who needs a different approach.

Let us discuss

Read the paragraphs and write the main idea for each. Then, match the main idea with two supporting details. (Paragraph 1 → ‘Introduction to Ila Sachani’s colourful embroidery’, with details (i) Examples of embroidered things and (ii) Ila’s use of shiny needle. Paragraph 2 → ‘Early challenges and family support’. Paragraph 6 → ‘Recognition at a state exhibition’. Paragraphs 8–9 → details (i) Financial independence and joy, (ii) Challenges can be turned into victories.)

ANSWER – main idea + two supporting details for each paragraph Paragraph 1 – Introduction to Ila Sachani’s colourful embroidery: (i) Examples of embroidered things (cushions, bedcovers, pillows); (ii) Ila’s use of a shiny needle to make Kathiawar embroidery. (given) Paragraph 2 – Early challenges and family support: (i) Ila was born with her hands hanging loose and could not use them; (ii) She longed to hold a chalk and draw figures on a slate like other children. Paragraph 3 – Mother and grandmother teach Ila embroidery with her feet: (i) They were skilled in Kathiawar embroidery and taught her to make patterns with her feet; (ii) Her parents helped her learn to eat and comb her hair with her legs. Paragraph 4 – Ila becomes an expert and learns many styles: (i) She did not give up even though threading a needle was hard; (ii) With her brother and sister’s help she learned Kachhi, Kashmiri, Lucknawi and other styles. Paragraph 5 – Embroidery as self-expression; her fame begins to spread: (i) She first made designs for family and friends, who were awestruck; (ii) Soon the people of the village discovered her special skill. Paragraph 6 – Recognition at a state exhibition: (i) The Surat government office displayed her embroidery at a state exhibition; (ii) People observed the beauty of her work and readily purchased it, making her famous. Paragraph 7 – National fame and awards: (i) She took part in exhibitions at the national level; (ii) She received many awards and honours, including the President’s Medal. Paragraphs 8–9 – New independence and the power of art: (i) Financial independence and joy in doing what she loved; (ii) Challenges can be turned into victories, and art can rise above physical boundaries. (given)

Let us think and reflect

I. Passage questions

  1. Choose different: in this context Ila could not use her hands in the usual way.
  2. She might have felt left out or frustrated when unable to join an activity she wanted to try. This is an inference about her feelings.
  3. She could not hold the chalk because she could not use her hands in the usual way.

II. Creative adaptations

Her mother and grandmother taught embroidery using her feet. Her parents helped her learn daily tasks such as eating and combing her hair using her legs; her younger siblings also supported her. Practice and family encouragement helped her develop skills.

III. New independence

She earned a regular income and found joy in work she loved. This increased her autonomy; the passage does not say that she never needed support again.

IV. The first state exhibition

The Surat government office displayed her work, making it visible to a wider audience. People bought her creations, opening opportunities for more exhibitions and recognition.

V. Power of art

Her embroidery reaches and moves people even though she creates it differently from many other artists. Art can express skill and feeling through varied methods.

VI. Helpful encouragement — sample

Ask what support the person wants, listen, provide useful adaptations, include them in activities and respect their choices. Appreciate their work without assuming helplessness.

VII. Learning from her story — sample

Her experience offers an example of adapting methods, practising skills and seeking support. Readers can value persistence while recognising that different challenges require different resources and opportunities.

Let us learn

I. Match the word to its correct synonym (Columns A, B and C)

Read the words in Column A, understand them through the sentences in Column B, then match each word to its correct synonym in Column C (synonyms given: silent, work, happy, small, difficult, fantastic, dangerous – two are extra).

ANSWER tiny → small wonderful → fantastic quiet → silent task → work tough → difficult (The two extra, unused synonyms are happy and dangerous.)

II. Unscramble the antonyms of the words in Column A

Unscramble the antonyms. (Example: display – E D I H → HIDE.)

ANSWER 1. tiny – E G H U → HUGE 2. wonderful – R E E B L I T R → TERRIBLE 3. quiet – I Y N S O → NOISY 4. task – S I A E M T P → PASTIME 5. tough – S E Y A → EASY Sentences (sample): (1) The elephant is a huge animal. (2) The accident was a terrible sight. (3) The market was very noisy in the evening. (4) Painting is my favourite pastime. (5) The first question was very easy to solve.

III. Words of quantity

1. The highlighted words (lots of, many) tell us about the quantity. Choose what the words show: (i) Unmentioned quantity (ii) Large quantity.

ANSWER(ii) Large quantity. Words like ‘lots of’ and ‘many’ show that there is a large quantity of something.

2. Fill in the blanks to complete an example for each word of quantity (hints in brackets).

ANSWER (sample) (i) We saw many buses on the road. (countable noun) (ii) How much milk do you want? (uncountable noun) (iii) There is little milk needed. (uncountable noun) (iv) I need a few examples. (countable noun) (v) I have some energy left. / She picked some flowers. (countable and uncountable nouns) (vi) I ate a lot of rice. (uncountable noun) Two sentences for each (sample): many – Many students passed. / Many birds flew away.   much – How much water is left? / There is not much time.   little – There is little sugar in the jar. / He has little patience.   a few – A few children came. / I bought a few pens.   some – Some apples are red. / I need some help.   a lot of – A lot of people came. / She has a lot of homework.

Let us listen / speak / write / explore

Let us listen

You will listen to a talk about Kathiawar embroidery. As you listen, circle the correct option. (1. Form – old/new; 2. Colours – soft/bright; 3. Stitches – running stitch/chain stitch; 4. Seen on – children’s caps/pants; 5. Things used – small mirrors/shapes of buttons; 6. Designs – elephants and horses/squares and triangles.)

ANSWER (based on the textbook transcript on page 164) 1. Form → (i) old – Kathiawar embroidery is a very old form of embroidery. 2. Colours → (ii) bright – it uses many bright colours. 3. Stitches → (ii) chain stitch – it uses stitches like the chain stitch. 4. Seen on → (i) children’s caps – on clothes it is seen on children’s caps (also ghagra skirts and men’s shirts). 5. Things used → (i) small mirrors – a lot of mirror work is done by fitting small mirrors with the stitches. 6. Designs → (ii) squares and triangles – the most common designs are geometric shapes like squares and triangles.

Note: This is a listening task. The answers above follow the official NCERT audio transcript printed on page 164 of Poorvi. In class, listen carefully and circle each correct option as you hear it.

Let us speak

In pairs, write down two questions you would like to ask Ila Sachani. (Note: Yes/No questions use a rising tone. Examples given: “Where were you born?” / “Did you go to school?”) Practise the questions aloud with the correct rising tone and ask a classmate.

ANSWER (sample questions) 1. How did you feel when you made your very first embroidery design? 2. Who helped you the most while you were learning to embroider with your feet? Sample Yes/No questions (rising tone): Do you enjoy your work?   Did you feel proud to receive the President’s Medal?

Note: This is a speaking activity. Say each question aloud at least five times, raising your voice slightly at the end of Yes/No questions, then take turns asking a partner. Your own polite, clear questions are accepted.

Let us write

Collect four/five items (such as flowers, leaves, pins, waste paper, old cards, cardboard boxes, straws, twigs, etc.). Use these items to create any kind of artwork. Now, write a paragraph describing the artwork that you have created. Give a suitable title to your paragraph.

ANSWER (sample) – Title: My Garden CollageI collected dry leaves, a few flowers, some twigs and pieces of old greeting cards. On a sheet of cardboard, I made a small garden collage. I used the twigs to make tree trunks and stuck dry leaves around them to look like bushes. The colourful flowers became a flower-bed at the bottom, and I cut a yellow sun from an old card and pasted it in one corner. My garden collage is bright and cheerful, and I feel proud that I made something beautiful from simple waste items.

Note: This is a hands-on craft and writing task. Make your own artwork from suitable materials, then write your own paragraph with a suitable title. The paragraph above is only a model.

Let us explore

1. Does anyone in your family or neighbourhood do embroidery? Find out what type of embroidery they do and how they learnt it. 2. Try a simple stitch on cloth with the guidance of a family member. 3. Visit the given link to find out about embroidery types from different parts of India and share which one you liked the most and why. (https://indianculture.gov.in)

ANSWER (guided)Ask the elders or neighbours around you whether they do embroidery—such as cross-stitch, chain stitch, mirror work or phulkari—and find out how they learnt it (from a mother, grandmother, school or a training centre). With a family member’s help, try one easy stitch like the running stitch on a piece of cloth. Then explore the website to learn about famous Indian embroideries such as Chikankari (Lucknow), Phulkari (Punjab), Kantha (West Bengal) and Kashida (Kashmir), and tell your class which one you liked best and why.

Note: This is a project and exploration activity to be done at home and shared in class. Your own findings, stitch and choice of embroidery are the expected answers.

Additional ClearStudy questions

This practice is separate from the printed textbook exercises.

Short answer (30–40 words)

1. Where does Ila Sachani live and work, and what kind of things does she make?

ANSWERThe passage locates Ila Sachani’s work in a tiny room in Moti Vavdi village, Bhavnagar, Gujarat. There she makes many lovely things—cushions, bedcovers, pillows and more—decorated with beautiful Kathiawar embroidery designs in bright colours.

2. What difficulty did Ila have from birth?

ANSWERIla was born in a farmer’s family in Amreli, Gujarat, with her hands hanging loose by her sides. Unlike other children, she could not use her hands in the usual way, so she could not hold a chalk or draw on a slate.

3. Who taught Ila embroidery, and how?

ANSWERIla’s mother and grandmother, who were skilled in Kathiawar embroidery, taught her the craft. They patiently helped her learn to make beautiful patterns using her feet, while her parents helped her eat and comb her hair with her legs.

4. How did Ila become famous?

ANSWERAt first Ila made designs only for family and friends, who were awestruck and spread the word. The Surat government office then displayed her work at a state exhibition, where people happily bought it. Soon she joined national exhibitions and won many awards.

5. Which honour does the textbook name, and what other styles did she learn?

ANSWERThe textbook names the President’s Medal. Besides Kathiawar embroidery, she also learned many other styles, even ones from outside Gujarat—Kachhi, Kashmiri, Lucknawi and others—becoming an expert at a young age.

Long answer (100–120 words)

6. Trace Ila Sachani’s journey from a child facing a challenge to a celebrated artist.

ANSWERIla Sachani was born in a farmer’s family in Amreli, Gujarat, with her hands hanging loose so she could not use them. As a child she longed to draw like others but could not. Her mother and grandmother, skilled in Kathiawar embroidery, taught her to make patterns with her feet, and her family helped her do daily tasks with her legs. Though threading a needle was hard, she never gave up and became an expert young, learning even Kachhi, Kashmiri and Lucknawi styles. Her family and village admired her work, the Surat office displayed it at a state exhibition, and people bought it eagerly. She then won national awards and the President’s Medal, becoming a celebrated artist with a new independence.

7. What qualities and support helped Ila succeed, and what message does her story give us?

ANSWERIla succeeded because of her determination, patience, hard work, creativity and the courage never to give up. She accepted her challenge bravely and practised difficult tasks like threading a needle with her feet. Just as important was the loving support of her mother, grandmother, parents and siblings, who taught and encouraged her, and the admiration of friends and her village that spread her fame. Her story gives us the message that challenges can be turned into victories with focus, hard work, positivity and self-belief. It also shows that art can rise above physical boundaries to touch the soul, and that encouragement from family and community helps a person shine.

ClearStudy MCQs and assertion–reason practice

1. In which village and district does Ila Sachani live and work?

(a) Amreli, Gujarat   (b) Moti Vavdi, Bhavnagar   (c) Surat   (d) Palakkad, Kerala

ANSWER(b) Moti Vavdi, Bhavnagar.

2. Which traditional craft is Ila Sachani an expert in?

(a) Madhubani painting   (b) Dhokra metal craft   (c) Kathiawar embroidery   (d) Coconut shell craft

ANSWER(c) Kathiawar embroidery.

3. Ila Sachani creates her embroidery using her …

(a) hands   (b) feet   (c) machine   (d) mouth

ANSWER(b) feet.

4. Where was Ila Sachani born?

(a) Bhavnagar   (b) Surat   (c) Amreli, Gujarat   (d) Kerala

ANSWER(c) Amreli, Gujarat.

5. Who first taught Ila the art of Kathiawar embroidery?

(a) her teacher   (b) her mother and grandmother   (c) the Surat office   (d) her neighbours

ANSWER(b) her mother and grandmother.

6. Which of these styles did Ila NOT learn, according to the text?

(a) Kachhi   (b) Kashmiri   (c) Lucknawi   (d) Madhubani

ANSWER(d) Madhubani. (She learned Kachhi, Kashmiri, Lucknawi and others.)

7. Which government office first displayed Ila’s embroidery at a state exhibition?

(a) the office in Surat   (b) the office in Amreli   (c) the office in Delhi   (d) the office in Bhavnagar

ANSWER(a) the office in Surat.

8. What was the most important change that her skill brought for Ila?

(a) a new house   (b) a new independence   (c) a foreign trip   (d) a new school

ANSWER(b) a new independence.

9. Which high honour did Ila Sachani receive?

(a) the Padma Shri   (b) the President’s Medal   (c) the Bharat Ratna   (d) the Nobel Prize

ANSWER(b) the President’s Medal.

10. What does Ila’s embroidery, made with her feet, remind us about art?

(a) that art is only for the rich   (b) that art needs hands   (c) that art can rise above physical boundaries and touch the soul   (d) that art is easy

ANSWER(c) that art can rise above physical boundaries and touch the soul.
MCQ Answer Key: 1-(b), 2-(c), 3-(b), 4-(c), 5-(b), 6-(d), 7-(a), 8-(b), 9-(b), 10-(c)

Assertion–Reason – choose: (a) A and R true, R explains A; (b) A and R true, R does not explain A; (c) A true, R false; (d) A false, R true.

1. Assertion (A): Ila Sachani learned to do embroidery with her feet.

Reason (R): She was born with her hands hanging loose by her sides and could not use them in the usual way.

ANSWER(a) Both true and R correctly explains A.

2. Assertion (A): Ila’s mother and grandmother helped her overcome her challenge.

Reason (R): They were skilled in Kathiawar embroidery and taught Ila the art.

ANSWER(a) Both true and R correctly explains A.

3. Assertion (A): Ila became famous beyond her village.

Reason (R): Her embroidery was displayed at a state exhibition and people readily purchased her creations.

ANSWER(a) Both true and R correctly explains A.

4. Assertion (A): Threading a needle was easy for Ila from the very beginning.

Reason (R): Ila did not give up and became an expert at a young age.

ANSWER(d) A is false (threading a needle was hard for her), while R is true.

5. Assertion (A): Ila’s skill gave her a new independence.

Reason (R): Through her embroidery she earned a regular income and found joy in doing what she loved.

ANSWER(a) Both true and R correctly explains A.

Exam tips & common mistakes

Exam tips

• Remember key facts: Ila was born in Amreli, lives in Moti Vavdi, Bhavnagar, and does Kathiawar embroidery with her feet.
• In value-based answers, stress determination, family support, never giving up and turning challenges into victories.
• Quote the line “art has the power to rise above physical boundaries and touch the soul” in theme questions.
• Recall the honour named in the passage—the President’s Medal—and the styles she learned (Kachhi, Kashmiri, Lucknawi).

Common mistakes

• Do not write that Ila was born in Bhavnagar—she was born in Amreli and the passage introduces her in Moti Vavdi, Bhavnagar.
• Do not say she could not use her legs—it was her hands that she could not use; she works with her feet.
• Her first state exhibition was arranged by the Surat government office, not Delhi.
• Madhubani is mentioned elsewhere in the unit, not as a style Ila learned—do not list it among her embroidery styles.

FAQs

Who is Ila Sachani in the lesson?

The textbook presents an embroidery artist from Gujarat who learned to create designs with her feet with family encouragement and practice.

Where was she born?

The passage says Amreli, Gujarat. It introduces her work in Moti Vavdi village, Bhavnagar.

Who taught her embroidery?

Her mother and grandmother taught Kathiawar embroidery using her feet. Her parents and siblings also helped her develop skills.

What are the listening choices?

Old, bright, chain stitch, children’s caps, small mirrors, and squares/triangles; these follow the page-164 transcript.

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